它的建筑特色简而言之就是像在风波中鼓帆前进的巨型帆船，又像漂浮在悉尼港湾海面上的雪白 贝壳，那就是悉尼歌剧院的外看 。
那栋建筑物的外形 现实上参照了一个被扒开的球体的扇形部门。悉尼歌剧院是大都人能从图片上认出来的少数现代建筑之一。对许多人来说，它几乎成了澳大利亚的象征。
悉尼歌剧院是澳大利亚的地标建筑，也是20世纪更具特色的建筑之一，2007年被结合国教科文组织评为世界文化遗产。
悉尼歌剧院不只是悉尼艺术文化的殿堂，更是悉尼的灵魂，清晨、黄昏或星空，不管徒步缓行或出海游历 ，悉尼歌剧院随时为旅客展示差别多样的诱人风摘 。
从远处看，悉尼歌剧院就似乎 一艘正要起航的帆船，带着所有人的音乐梦想，驶向蔚蓝的海洋。从近处看，它就像一个陈放着贝壳的大展台，贝壳也力争上游地向着太阳立正看起。
扩展材料：
悉尼歌剧院的外型好像 即将乘风出海的白色风帆，与四周 风光相映成趣。悉尼歌剧院是从20世纪50年代起头构想兴建，1955年起公开争求世界各地的设想做品，至1956年共有32个国度233个做品参选，後来丹麦建筑师约恩·伍重的设想屏雀中选。
建立从1959年3月起头，曲至1973年10月完工，斥资1亿零200万澳大利亚元完成建造，为了筹措经费，除了募集基金外，澳大利亚政府还曾於1959年发行悉尼歌剧院彩券。
音乐厅是悉尼歌剧院更大的厅堂，共可包容2679名看 寡，凡是用于举办交响乐、室内乐、歌剧、跳舞、合唱、时髦 乐、爵士乐等多种演出。此音乐厅最特殊 之处，就是位于音乐厅正前方。
由澳大利亚艺术家Ronald Sharp所设想建造的大管风琴，号称是全世界更大的机械木连杆风琴，由10,500个风管构成，此外，整个音乐厅建材利用均为澳大利亚木材，忠实闪现 澳大利亚自有的风气 。
参考材料来源：百度百科——悉尼歌剧院
求悉尼歌剧院 图片兼文字阐发。。外看 构造
悉尼歌剧院的外看 为三组浩荡 的壳片，屹立在南北长186米、工具最宽处为97米的现浇钢筋混凝土构造的基
悉尼歌剧院远景
座上。第一组壳片在地段西侧，四对壳片成串摆列，三对朝北，一对朝南，内部是大音乐厅。第二组在地段东侧，与第一组大致平行，形式不异而规模略歌剧厅。第三组在它们的西南方，规模最小，由两对壳片构成，里面是餐厅。其他房间都巧妙地安插在基座内。整个建筑群的进 口在南端，有宽97米的大台阶。车辆进 口和泊车场设在大台阶下面。悉尼歌剧院坐落在悉尼港湾，三面对水，情况开阔，以特色的建筑设想闻名 于世，它的外形像三个三角形翘首于河边，屋顶是白色的外形 好像 贝壳，因而有“翘首遐看 的温馨 修女”之美称。
歌剧院整个分为三个部门：歌剧厅、音乐厅和贝尼朗餐厅。歌剧厅、音乐厅及歇息厅并排而立，建在巨型花岗岩石基座上，各由4块巍峨的大壳顶构成。那些“贝壳”依次摆列，前三个一个盖着一个，面向海湾依抱，最初一个则背向海湾侍立，看上往 很像是两组翻开盖倒放着的蚌。凹凸纷歧的尖顶壳，外表用白格子釉瓷展 盖，在阳光照映下，远远看 往 ，既像竖立着的贝壳，又像两艘巨型白色帆船，飘荡在蔚蓝色的海面上，故有“船帆屋顶剧院”之称。那贝壳形尖屋顶，是由2194块每块重15.3吨的弯曲形混凝土预造件，用钢缆拉紧拼成的，外表笼盖着105万块白色或奶油色的瓷砖。
悉尼歌剧院远景
据设想者晚年时说，他昔时的创意其实是来源于橙子。恰是那些剥往 了一层皮的橙子启发了他。而那一创意来源也由此刻成小型的模子放在悉尼歌剧院前，供游人们赏识 那一普通事物引起的伟大设想。
3内部粉饰
歌剧厅较音乐厅为小，拥有1547个座位，次要用于歌剧、芭蕾舞和跳舞演出；内部陈列别致 、华贵 、讲究，为了制止在表演
时墙壁反光，墙壁一律用暗光的夹板镶成：地板和天花板用当地出产的黄杨木和桦木造成；弹簧椅蒙上红色光滑的皮套。摘 用如许的安装，表演时能够有圆润的音响效果。舞台面积440平方米，有转台和起落台。舞台配有两府法国织造的毛料华贵 幕布。一幅图案用红、黄、粉红3色构成，好像 道道霞光普照大地，喊 “日幕”；另一幅用深蓝色、绿色、棕色构成，似乎 一弯新月隐挂云端，称“月幕”。舞台灯光有200回路，由计算机掌握 。还拆有闭路电视，使舞台监视对台上、台下情状 一目了然。
有什么关于悉尼歌剧院的材料吗?
我找了几个:
英文介绍性网站1:
英文网站原版搜刮1:
- Along with the Harbour Bridge, the Sydney Opera House is the city's most recognized structure.
- On January 29, 1957 Jorn Utzon was declared the winning architect of the design competition out 233 worldwide entries.
- Construction began in March 1959.
- The tip of the tallest shell reaches 67.4m (222ft) above Sydney Harbour, which equates to half the height of the nearby Harbour Bridge (134m).
- The Sydney Opera House boasts 20,000 light fittings. Its gleaming white sails comprise 1,057,000 Swedish tiles.
- The magnificent site of the Opera House was originally Bennelong Point tram depot which opened in 1902. During the 1950s Sydney's trams were gradually phased out in favour of buses and the tram shed became redundant. It was demolished in 1958 to make way for the building of the Sydney Opera House.
- Uses 6225 square metres of glass and 645 kilometres of electric cable.
- Opened by Queen Elizabeth II on October 20, 1973.
- Over two million people attend performances here annually.
- Joern Utzon's design was chosen from 233 entries in the 1956 international competition.
- The Sydney Opera House was put on the State Heritage Register on December 3, 2003.
- The building occupies an area of 1.8 hectares whilst the roof is comprised of 2,914 pre-cast segments weighing in total some 26,700 tonnes.
- In 2001 the architect Jørn Utzon was called upon in the capacity of consultant to oversee the refurbishment of his building.
(以上为详细介绍,以及外形介绍)
原版2:
夜景:
Sydney Opera House at Night
The Sydney Opera House has about 1000 rooms, including five theatres, five rehearsal studios, two main halls, four restaurants, six bars and numerous souvenir shops.
The roofs of the House are constructed of 1,056,000 glazed white granite tiles, imported from Sweden. Despite their self-cleaning nature, they are still subject to periodic maintenance and replacement. The House interior is composed of pink granite mined from Tarana, NSW and wood and brush box plywood supplied from northern NSW.
The five constituent theatres of the Sydney Opera House are the Concert Hall (with a seating capacity of 2,679), the Opera Theatre (1,547 seats), the Drama Theatre (544 seats), the Playhouse (398 seats) and the Studio Theatre (364 seats). The smallest building is home to the Bennelong Restraunt.
The Concert Hall contains the Sydney Opera House Grand Organ, the largest mechanical tracker action organ in the world with over 10,000 pipes.
The theatres are housed in a series of large shells, conceived by dissecting a hemisphere. The Concert Hall and Opera Theatre are contained in the largest shells, and the other theatres are located on the sides of the shells. Large free public performances have also often been staged in front of the Monumental Steps that lead up to the base of the main sets of shells. A much smaller set of shells set to one side of the Monumental steps houses one of the formal dining restaurants.
汗青:
History
The Sydney Opera House can be said to have had its beginning during the late 1940s in the endeavours of Eugene Goossens, the Director of the NSW State Conservatorium of Music at the time, who lobbied to have a suitable venue for large theatrical productions built. At the time, the normal venue for such productions was the Sydney Town Hall, but this venue was simply not large enough. By 1954, Goossens succeeded in gaining the support of NSW Premier Joseph Cahill, who called for designs for a dedicated opera house.
It was also Goossens who insisted that Bennelong Point be the site for the Opera House. Cahill had wanted it to be on or near the Wynyard Railway Station, located in the north-western Sydney CBD.
The competition that Cahill organised received 233 entries. The basic design that was finally accepted in 1955 was submitted by Jørn Utzon, a Danish architect. Utzon arrived in Sydney in 1957 to help supervise the project.
The Fort Macquarie Tram Depot, occupying the site at the time of these plans, was demolished in 1958, and formal construction of the Opera House began in March, 1959. The project was built in three stages. Stage I (1959–1963) consisted of building the upper podium. Stage II (1963–1967) saw the construction of the outer shells. Stage III consisted of the interior design and construction (1967–73).
Stage I was started on December 5, 1958, and work commenced on the podium on May 5, 1959 by the firm of Civil Civic. The government had pushed for work to begin so early because they were afraid funding, or public opinion, might turn against them. However major structural issues still plagued the design (most notably the sails, which were still parabolic at the time).
By January 23, 1961, work was running 47 weeks behind, mainly due to unexpected difficulties (wet weather, unexpected difficulty diverting stormwater, construction beginning before proper engineering drawings had been prepared, changes of original contract documents). Work on the podium was finally completed on August 31, 1962.
Stage II, the shells were originally designed as a series of parabolas, however engineers Ove Arup and partners had not been able to find an acceptable solution to constructing them. In mid 1961 Utzon handed the engineers his solution to the problem, the shells all being created as ribs from a sphere of the same radius. This not only satisfied the engineers, and cut down the project time drastically from what it could have been (it also allowed the roof tiles to be prefabricated in sheets on the ground, instead of being stuck on individually in mid-air), but also created the wonderful shapes so instantly recognisable today. Ove Arup and partners supervised the construction of the shells, estimating on April 6, 1962 that it would be completed between August 1964 and March 1965. By the end of 1965, the estimated finish for stage II was July 1967.
Stage III, the interiors, started with Utzon moving his entire office to Sydney in February 1963. However, there was a change of government in 1965, and the new Askin government declared that the project was now under the jurisdiction of the Ministry of Public Works. In October 1965, Utzon gave the Minister for Public Works, Davis Hughes, a schedule setting out the completion dates of parts of his work for stage III. Significantly, Hughes withheld permission for the construction of plywood prototypes for the interiors (Utzon was at this time working closely with Ralph Symonds, an inventive and progressive manufacturer of plywood, based in Sydney). This eventually forced Utzon to leave the project on February 28, 1966. He said that Hughes' refusal to pay Utzon any fees and the lack of collaboration caused his resignation, and later famously described the situation as "Malice in Blunderland". In March 1966, Hughes offered him a reduced role as 'design architect', under a panel of executive architects, without any supervisory powers over the House's construction but Utzon rejected this.
The cost of the project, even in October of that year, was still only $22.9 million, less than a quarter of the final cost.
参考网站:
悉尼歌剧院是什么风气 的建筑？像在风波中鼓帆前进的巨型帆船，又像漂浮在悉尼港湾海面上的雪白 贝壳，那就是悉尼歌剧院的外看 。那栋建筑物的外形 现实上参照了一个被扒开的球体的扇形部门。悉尼歌剧院是大都人能从图片上认出来的少数现代建筑之一。对许多来说，它几乎成了澳大利亚的象征。
那项建筑设想是20世纪50年代末在国际合作中被选定的。许多人反对那项设想，建造过程中曾呈现过良多争议。最初，丹麦建筑师约恩.乌特松在工程停止到一半的时候告退。
1973年工程末于完成。它既是一座歌剧院，同时也包罗两个 剧院、一个音乐厅、若干个餐馆、一个片子院、多个艺术画廊和一个藏书楼。
悉尼歌剧院内的音响效果其实不非常完美。歌剧院的内部也是约恩.乌特松设想的，但他的方案未被摘 用，因为有人认为他对音响不敷领会。然而，若按乌特松最后的设想，歌剧院的音响效果本该是完美的。
贝壳状的歌剧院是哪个歌剧院？有两个贝壳外形 的歌剧院：
珠海大剧院和悉尼歌剧院
珠海歌剧院是中国独一建立在海岛上的歌剧院。珠海大剧院由一大一小两组“贝壳”构成，构成了歌剧院的整体形象，因而得称“日月贝”。
珠海歌剧院
悉尼歌剧院（Sydney Opera House），位于澳大利亚新南威尔士州悉尼市区北部的便当朗角，1959年3月开工建造，1973年10月20日正式投进 利用，是澳大利亚地标式建筑。
细雨